First of all
I must thank Melisa for copying this miniseries of Great Expectations for me
(come with it also Dorian Gray and Importance of Being Earnest which I haven’t yet
watched). This three-part miniseries was produced by BBC in 2011, an adaptation
work of Sarah Phelps.
As I like to
compare the movie with the original book, I watched this miniseries only
several days after I have finished reading the book (when the story and the
emotion were still quite fresh in my memory). So, here’s my review:
Castings
Overall it’s
okay, I had only two objections. First, the cast for Joe which I think was too
old and less innocent. Joe in this miniseries didn’t look like a hopeless
husband under his wife’s domination. In fact once or twice Joe bravely grasped
Pip from his wife’s beating; while in book Joe did not even dare to confront
his wife, afraid that he too would be beaten by his wife. Joe was also supposed
to be a shy guy, that when he must meet Miss Havisham, he kept directing his
words to Pip instead of talking directly to Miss Havisham. The Joe in the
miniseries seemed to have more confidence. And I’m just wondering, why Joe did
not look older at all at the later part, while all others did. :) My same
complaint goes for Wemmick’s cast. He’s much too old, almost as if he’s in the
same age as Mr. Jaggers! About Mr. Jaggers, I think he had played in Agatha
Christie’s movies as Hercule Poirot!
Is Gillian Anderson too pretty to be Miss Havisham? |
But the
worst, I think, is Estella’s cast. I’m so disappointed that she was far from “very
pretty” that made many men attracted to her. When Miss Havisham presented the
grown up Estella to Pip; when Estella stood next to her mother, well….Miss
Havisham was even prettier than her, despite of Miss Havisham’s pale face
(Gillian Anderson played as Miss Havisham). Estella in this miniseries looked
too boyish with her skinny and bony body (especially when she wore strapless
gown that seemed to hang loosely and rather un-proportionately on her body,
ugh!). Young Estella reflected much better Estella's original character from book.
Grown-up Estella |
Young Estella |
Story
and Plot
Overall the plot
followed the original one, only simplified here and there as we could expect in
movie adaptations. However, there are few things I did not agree with. First of
all, Biddy never showed up. This perhaps will make the plot more complex, but I
think Biddy has also some influences in Pip’s development. The second one was
how Pip resisted to Magwitch for—for me—too long; it only made Pip looked like
an ungrateful person—which I don’t think so. In the book Pip involved in the runaway
preparation, and Pip was tortured badly in the waiting of the event.
The last one
was the relationship of Pip and Estella; I know that movies tend to make
everything smooth. As if without at least one kissing scene—and it happened always
on romantic places which involving water (sea shores, by the lakeside…)—you won’t
be able to attract audiences. Perhaps it’s right, but watching how Estella
seemed to suddenly and quite easily loosen her resistance against Pip right
after leaving Satis House was ridiculous to me.
Setting
and Costumes
Now, while
the castings and plot might be slightly disappointing, the settings and the
costumes were really an entertainment! The misty marshes was fabulous, the
forge and Pip’s home were everything I always imagine them to be. Satis House
with the dusty and gloomy atmosphere, and the room with cobwebbed party
left-over was also cool. So pity we can’t see Wemmick’s country house, that
would be very interesting! :)
Wedding hall at Satis House |
I like the
gentleman’s costumes here, especially Pip’s. Gillian Anderson looked elegant in
Miss Havisham’s old wedding gown, but I hate the choice for Estella’s costumes,
they were too plain—considering that Miss Havisham did everything she could to
make Estella shinning with beautiful jewelries. The jewelries had never appeared
in the miniseries, and compared to other ladies in the ball—for example—Estella
seemed too pale and ordinary, that if I had been one of the gentlemen there, I
would have not regarded her at all.
One thing
that was also interesting is the opening credits. I like the idea of the
transformation of a cocoon to a beautiful butterfly; it represents Pip’s
transformation so beautifully. He must get through hard times before finally
become a true gentleman (not only in outer appearance, but also in heart).
All in all, it
is quite enjoyable, especially if you have never read the book, or you have
read it long time ago that you have forgotten most of the details. 7 to 10 is
the best I can give for this miniseries.
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